Issue 3.3
Fall 2023
Carrie Nassif
Reflection:
This poem is part of an (as of yet unpublished) micro-chapbook called ancestry of a constellation. It mines the stars in the Sagittarius constellation, the archer—which is both my mother's sign, and one of the two signs my adult child was born on the cusp of—to explore three generations of mother and child in the past, present, and future. I wrote this fragmented mythology to try and contain the stories of why my mother wouldn't want her child, and why my child, whom I want very much, at times didn't want their own lives. Much of the symbolism in this poem is based on facts from contemporary astronomy and, because a half of my father's lineage is Arabic, it was fitting to draw from those ancient stargazers as well who were trying to make sense of their own circumstances in their explanations of the stars and their movements.
the three stars of the living bow of Sagittarius and her suicidal child
You are the bows from which your children as living arrows are sent forth
—Kahlil Gibran
λ (lambda) sagittarii: Kaus Borealis
the northern tip of the bow-body-self is lit by an orange star a giant in her final
stages she is topaz cut from a bonfire from the flesh of the golden apples of fall
she is also known as the keeper of the ostriches but perhaps they meant toddlers
those Arabic astronomers finders of stars and givers of names and duties she
guards the nearby clusters of stars who are headed to drink from the river of the
milky way she keeps watch over the ostrich toddlers who having drunk their fill
are returning she looks over them as she looks over the knuckles of her bow-hand
toward a pink cloud of gas and particles toward a nebula with an hourglass shape
a reminder of our impending mortality of the birds’ eminent extinction of hers
of her potential futures: if she has the abortion or has the child or were she
her own mother: if she has twins and one girl dies or if she never had twins
in the first place or if she were her own child: a chimera born on the cusp
of the zodiac the afternoon of the equinox would they even agree to be
my mercurial androgyling? this ambidextrous seam? both sunwise and
widdershins all extremes if anything? or would they choose the future
at all?
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δ (delta) sagittarii: Kaus Media
the middle star where the hand grasps the bow halfway up is in the present tense this
vortexing culmination of once’s and if’s collapsing (with a huff) into one moment or
if not a single point then, into a multiple star system whose primary star is a weak giant
with a furnace in her belly who burns with the carbonic mass she siphoned away from
her partner an evolved a white star a hollow husk of a once stellar core
still tightly wound but faint and blinking with the ashen glow of old cinders
the pair is orbited eternally by their grown offspring their three
dim companion stars: Bittersweet, Chaos and Doubt
​
​
ξ (epsilon) sagittarii: Kaus Australis
at the southern edge of the bow body shines a blue giant binary system rare and
short-lived she is brilliant is opalescent is perhaps a bit vain about her rings
the circumstellar disk of dust where her partner and their collective afterbirth
were set aside shuttered away being a plain an ordinary yellow sun
so like our past: my mother and her November coldness and her diamonds and her
turquoise contacts and my brown-feathered birdness and my August fire hiding
in the dusty attic of my twelfth house with the twin I did or didn’t have and kill
or that I wished I met but never will and how all that book learning couldn’t undo
the way we were forged upon each other imprinted duplicates mother and
daughter and even my spawn how we were built from the same goddamn
flesh the way we were all such thirsty ostriches
each of us this whole time and so poorly kept
Carrie Nassif (she/her) is a queer poet, photographer, psychologist and creativity catalyst/life coach living in Northern New Mexico. Her chapbook, lithopaedion was one of this summer's the Wardobe's Best Dressed and finalist in Yes Yes Books' Vinyl 45 chapbook prize. A full length poetry collection and/or speculative memoir, necessary and sufficient conditions: the vulture girl is forthcoming summer 2024 with Saddle Road Press. Other poetry can be found in Comstock Review, The Gravity of the Thing, Pomona Valley Review and Tupelo Quarterly. More at http://www.carrienassifphd/author
Carrie's Book Recommendation
I've been re-reading Forrest Gander's Twice Alive and marveling at the lush language on the surface, of the power in his asymmetrical revisitings of form and content, and the way absence, when placed in the foreground, creates so much positive space around the edges in my mind.